►王福瑞 TranSonic 2009/聲音藝術-超響2009

In the performance titled ‘TranSonic2009’, Fujui Wang uses seven large projection screens interspersed at the center of the stage. At first, soundbits pervade and flow, creating a state of rising tides that can be associated with rain, ocean and sound flows. Then black-and-white visual starts to blink and draw. Composed of soundwaves disposed in the form of latticed factals made through computerized random calculation, it is imbued with an aesthetics of Glitch Art. While the flickering and fading light-images surround the artist, the audio-visual whole comes to produce a jumping three-dimensional texture. In the middle of the performance, sounds jump in the space and in the ears of the listeners. Jumping back and forth on the track of time and between lighting and darkness, they come to delimit a particular quality with various densities and complexities. In the end, high-pitched sounds bring the visual to a height of tension where the latter falls in a jump. Within just few seconds, the entire piece ends in a strong flickering visual as well as sounds under pressure and tension.（Essay by Yi Lu）

王福瑞於『TranSonic2009』表演使用七面大型的投影螢幕，錯落呈列於舞台中央，一開始細碎聲音瀰漫流動，湧出似雨似海似聲流的漲潮意境，再來畫面開始閃畫出黑白視覺，那視覺是經由電腦隨機運算出富含錯誤美學的點陣聲波碎形，閃動光滅的影像同時包圍環繞著藝術家，視覺和聽覺整體交織出一股跳躍式的立體質感，表演中間，聲音在空間跳躍，在聽者耳中跳躍，在時間軌道與明暗中來回跳躍，劃出濃淡繁簡的特殊質感，最後高音帶領視覺來到緊張的高處一躍落下，短短幾秒間，強烈閃動的視覺與具壓迫張力的聲音瞬間結束了整個表演。(文：盧藝)