Sondes A/V Duo

Sondes A/V Duo 電波接受器

為兩位藝術家組成的台法雙人音像表演團體:聲音藝術家 盧藝(台灣)與視覺藝術家 林思柏(法國)。
Sondes A/V Duo 電波接受器由不同文化底蘊的兩位藝術家合作,對話創作出極具混響現場感的經驗​,​混和類比世界與數位境界的​創意過程。特斯拉電圈、手工電子​合成​裝置等,轉譯出類比影像訊號經即時視覺​生成軟體,製造出具錯誤美學的類比影像,再​引領回塑造​出具新媒體的音像型態。

Sondes A/V Duo is a duo of artists from different horizons, sound artist Lu Yi (TW) and visual artist Sébastien Labrunie (FR). Sondes is a creative dialogue, a collaboration exploring image, sound and their echoes in sensitive creations. The duo draws as much in analog as in the New Media to achieve performances where the border between sound and image is blurred, to better give to see, hear and dream.

Sondes A/V Duo has participated in several events including: “Hypersonic 2016” (TNUA, Taipei), “Xue Xue Party Night” (Xue Xue Institute, Taipei), Lacking Sound Festival “Listen 103” (The Wall, Taipei) “, “The Book Of Daughters” (Venue, Taipei), “Generate the Night” (Taipei Artist Village), “Pattern Calling” (National Theater and Concert Hall, Taipei) and “Electric Indigo” (Chiang Kai-shek Memorial Hall, Taipei).

Artist CV

Sébastien Labrunie 林思柏
Sébastien Labrunie

Sébastien Labrunie is a french visual artist. After 10 years exploring 2D worlds as a graphic designer in France he is now experimenting in the New Medias field: virtual reality, interactive design, realtime visuals performance, analog video synthesis with a touch of glitch art.

In the past years his explorations brought him to work on various VR projects, like the award winning LyraVR (a virtual/spatial music creation software) or “Murmur” an experimental immersive narrative about language and perception in the making (shown in the ​alpha version at Paraty Animation Festival in Brazil September​ 2018). He is also doing live visual creations for Avant Garde sound art performances collaborating with sound artist Lu Yi as the Audio Visual Duo “Sondes”, a dialog between two artists, two cultures, between sound and visuals, at both ends of the visual spectrum and in between, both cutting edge digital and organic analog, one world feeding the other for deeper audiovisual explorations.

林思柏是一位法國視覺藝術家,在經過10年的平面設計師經驗後,近年來他轉向更具新媒體的場域:虛擬實境(virtual reality,VR),互動設計(interactive design)與類比影像合成(analog video synthesis)以及數位錯誤(glitch art)。
在過去他的經驗帶領他的創作許多VR專案,獲獎的LyraVR(一個虛擬空間的音樂創作軟體)與Murmur(一個身歷其境敘述實驗性的認知語言,在alpha版本)呈現在2018年11月的巴西動畫節。除了商業專案與藝術創作,他還與台灣藝術家盧藝合作現場音像,以Sondes為創作團體名。呈現兩位來自不同文化的藝術家間的對話,在聲響與視覺之間交織出兩者的光譜,領先數位與有機類比探索更深的音像世界。

Lu Yi 盧藝

Lu Yi is a cofounder of Soundwatch Studio, collaborator to Fujui Wang, and a sound artist at Sondes. Lu Yi has appeared solo at the “Digitopia Digital Art Festival Taipei 2015”, using electromagnetic waves, home-made electronic instruments, circuit bending, hardware hackers, and analog errors to create immersive sonic environments.

From 2015-2019, Lu Yi has collaborated with french visual artist Sébastien Labrunie to do many live performances, as a name “Sondes”, a mix of cultural performing simultaneously providing noise sound with home-made electronic instruments and real-time interactive visuals, presented in “Lacking Sound Fest.103”, “Taipei Art District Party Night 2017”, “The Book of Daughters”, “On SiteGenerative the night”, “Pattern Calling” and “Electric Indigo” party night on NTCH 2017”. Soundwatch Studio promotes the creation, exhibition, performance and workshop of innovative and experimental audio art both locally and internationally. The studio long-term endeavor took Taiwan’s Sound Art to a wider and more eminent status, bringing more and more people to come and discover this particular art form. Today, the studio has become a drive of influence while playing a key role in the Sound Art of Taiwan.

盧藝為「響相工作室」共同創辦人、王福瑞事業夥伴以及「Sondes」聲音藝術家。盧藝在2015台北數位藝術節呈現電磁波、手工自製電子樂器、電路擾動、硬體駭客和類比錯誤聲響演出。從2015到2019兩年間,盧藝與來自法國的視覺藝術家Sébastien Labrunie(林思柏),以團隊名「Sondes」合作即時現場聲音藝術表演,混合台灣與法國不同文化背景,雙人創作的手工電子噪音與現場即時互動視覺在「失聲祭LSF103」、「大內藝術TAD聲響之夜」、「臺澳聲響演出連線」、「混種現場」、「Pattern Calling」與「兩廳院30週年眾聲之所派對」呈現。響相工作室希望以更廣遠視角以及合作色彩的定位,推動台灣與國際更多聲音藝術相關計畫,把聲音藝術拉至更廣顯的位置並讓更多人理解,如今工作室成為一股影響的推力,也在台灣聲音藝術中扮演一個關鍵角色。

–臺北藝術節「噪集2019-無主之島」現場聲音演出(2019.8)
–失聲祭歐洲Lacking Sound Fest.巴賽隆那「Subtropical Oscillation 」現場聲音演出(2019.7)
–失聲祭歐洲Lacking Sound Fest.巴黎「Subtropical Oscillation 」現場聲音演出(2019.7)
–Noise Show Opening TAIPEI 2019 ​開幕表演(2019.6)
–臺北白晝之夜「顛倒之城」 “噪型”現場演出(登上ELLE Taiwan雜誌當期封面)(2018.10)
–英國倫敦Music Hackspace九月駐村藝術家,駐村Somerset House薩默塞特府(2018.9)
–汕頭大學「汕頭之聲」演出,由藝外創意製作,於汕大體育園演出(2018.10)
–澳洲重量級聲音組織「液態建築」台灣巡迴「入聲」計畫表演(2017.11)
–兩廳院30週年「眾聲之所」,由林強為藝術總監,於中正紀念堂廣場大型舞台演出(2017.9)
–被「數位時代雜誌」評選為台灣「7個無法定義的跨領域藝術新星」之一(2017.7)
–第十屆台北數位藝術節「創世紀Digitopia」松菸文創開幕演出(2015.10)
–英國倫敦藝大柏貝克學院「射殺鋼琴師-台北1990-95噪音現場展演計畫」開幕表演(2015.8)
–2014混種現場和2016混種現場,於台北國際藝術村演出

::Voice of Shantou 汕頭之聲::
以『中國水墨意象』呈現『汕頭Shantou』當地的風景文化, 由汕頭大學藝術總監邀請,藝外製作企劃,在汕大體育園演出。

::2018 台北白晝之夜::
“There are noises of a city and noises that linger in digital eyes. Listen and watch. We’re all “noised”. Noised is an abstract audiovisual live performance about modern reality, filtered by all kinds of noises and rhythms. There are echoes and fragments of signals, with humanity in the middle.”
多噪滲載城市,噪集流連縈繞於數位眼之中。聽、看,我們全是噪型。噪型是抽象音像現場表演,是關於各式的噪音與節奏振濾下的真實當代。有著訊號的回響與片段,以及身在其中的我們。

::Electric Indigo NTCH 30th Party 兩廳院30週年慶/眾聲之所 派對::
兩廳院30週年慶派對,音樂人林強為藝術總監,在中正紀念堂前廣場演出。以『原民圖騰』 混合新媒體元素的大型電子音樂派對,以台灣原住民圖騰『對稱symmetry/幾何geometric/色彩color』 概念出發的客製化音像。

::Social Sound House Taipei_ENTERING TONE::

::Venue in The Book Of Daughters event::

::Xue Xue Party Night 大內藝術季學學文創 聲響之夜::

TAD01

TAD04

TAD03

Photo credit to Nathan Osterhaus

From nights Sound & Light performance by Lu Yi & Sébastien Labrunie also known as Sondes at Xue Xue Institute in Taipei, Taiwan. (The third Taipei Art District Festival_TAD After Party )

::Lacking Sound Festival Listen 失聲祭 103::

LSF01

LSF03

LSF02

LSF04

::Taipei Artist Village in the Generative the night::

Sondes-YILU

Sondes-Seb

Sondes Dialogue

​盧藝:​擁有九年設計背景和一年的VR專案參與經驗的你,是如何影響​你​在Sondes的呈現?

林思柏:我在視覺與圖像中工作很久,也都只停留在靜止的 2D平面,去年(2015年)我發現一種可以進入VR世界的全新視覺技術,​是​具身歷其境、三維、動作感且同時可以憑身體動作同步的控制器。所以我運用Leap Motion(手勢控制器)在”Sondes”表演中,讓我的視覺更有生命力,變成更敏銳、更互動性。新工具對我而言,可以提供一個​像​遊樂園般​的​場地​,而​去創作更多的即時互動視覺,一種無限制的可能性。

Lu Yi: ​You had 9​ ​years designer work background and 1 year VR experience,​ how does that influence in the “Sondes”?

​​Sébastien Labrunie: ​I worked with visuals and pictures for a long time. One thing is I only worked with “static” 2D visuals, and new technologies I​ discovered entering the VR world last year open my mind to a whole new kind of visuals, immersive​, tridimensional, in motion, and they could also be synchronized with body movements using motion controllers. I used a Leap Motion in “Sondes” to control and bring life to my 2D visuals, they become more sensitive, more instinctive, and well, more alive! New tools that offer​ me a whole new playground for doing live visual creations. New tools and endless possibilities!

盧藝:​什麼樣的圖像或視覺是你想傳遞或介紹給​”Sondes”的觀眾?

林思柏:盧藝的聲音創作提供了我一些共感上簡潔與對比的視覺靈感,​所以我選擇黑白視覺的元素,就像黑暗中的一道光,我也希望這些電光元素可以更有機感,所以我使用對稱的手法。對稱充斥在我們生活周遭,甚至也存在在我們自身,很多事物都是一對和雙面的,例如眼睛耳朵、黑與白、光與暗,而這個表演也是我和盧藝的雙人組合,在『Sondes』中我得到了一些反饋,有些觀眾看到了臉和面具藏在這些抽象的線條中,這是我設計這些抽象元素的主要的目的之一,觀眾可以投射他們自身在這些圖形中,讓想像力流暢出來。​

Lu Yi:​ “What visual do you want to introduce to the audience in Sondes?”​

​​Sébastien Labrunie:​ The raw sound of you inspired me pictural simplicity and contrast. That’s why I​ chose black and white graphical elements, like a ​raw light in the ​darkness. I also wanted these electric light elements​ to become more “organic”, that’s why I​ used symmetry. Symmetry is all around us, even inside us, many things come in pair of two, eyes, ears, black and white, light and darkness. And for this performance it was a duo teamwork​ too. I got some interesting feedback on “Sondes” visuals, some people saw faces and masks hidden in the abstract lines. It’s one of the main purpose of abstract visuals, so people can project themselves inside the pictures generated​ and let their imagination flows.

盧藝:​從你的角度出發​在『Sondes』的聲音與視覺,帶給觀眾什麼樣特別的呈現?

林思柏:​我認為​『Sondes』​是一個比普通表演更多實驗聲音和互動視覺的表演​,​就像敘述一個抽象故事​,​每個人可能看到或聽到都是不同的​,​依據他們獨立的詮釋​。​他們的想像力可以從聲音的視覺跳躍道另一個,​每次都有新的感受​。

Lu Yi:“ ​With ​my sound and your audiovisual​, what kinds of special expression can go to the ​audience?”

Sébastien Labrunie : I think “Sondes” is a sound and visual experience more than a performance, like an abstract storytelling​. Everyone could see and ear a different one, depending on their individual perception. Their imagination can jump from a sound painting to another and shape different new feelings each time.

盧藝:​在『Sondes』表演中​,​什麼是最有趣的?什麼是最有挑戰?​

林思柏:​對我來說,最有趣的部分是聲音與視覺的現場團隊合作​,​和​​從聲音​到視覺和​視覺​到​聲音​的​互動​以及​共鳴,​就像一個具創造力的對話​。​而最有挑戰的也許是軟體技術的部份​,以最可能的方式​在舞台上​設置​呈現最佳的技術,​我總是提醒自己保持簡潔​和適應力!

Lu Yi : “In the performance “Sondes”, ​what is the most interesting thing and most challenging?”

Sébastien Labrunie : The most interesting thing is the live teamwork between sound and light to me. The interactions and echoes from sound to visuals and from visuals to sound. Like a creative dialog. The most challenging part might be the technical part, making everything work on the ​software side, setting up the stage in the best way possible working with technical limitation and strength of each spaces. I always remind me to keep it simple, adaptation is the key!

Tag:
#sondeslive #sondesduo #電波接受器 #Luyi #SébastienLabrunie #AVart #audiovisual #glitch #soundart #Taiwan #France #noise #聲音藝術 #SébastienLabrunieA/VArt

::《Sondes AV Duo》是一組雙人聲音/視覺團體,由不同文化的兩位藝術家合作,創作對話出極具現場感的經驗,為混和類比世界與數位境界之間的創意過程。特斯拉電圈、手工電子合成裝置等轉譯出類比影像訊號,經即時視覺生成軟體製造出具錯誤美學的類比影像,再引領回塑造出具數位型態的影像聲音型態。
《Sondes AV Duo》is an Audio/Visual duo, a creative dialog between two artists from different cultures collaborating and exploring to create live sensory experiences. This duality is part of the creative process, a mix between the analog world and the digital realms. Tesla coils, home made sound generative electronics feeding analogue video synths and real time visual processing softwares. Creating audio reactive analog glitch accidents, guiding them digitally to sculpt and bring to life live Audio/Visual structures.

::《Sondes AV Duo》名字反映藝術家對新聲音和視覺經驗的企圖和渴望,希望創作出結合類比與數位的聲音與數位錯誤的互動視覺,兩位藝術家使用相關軟體、影像合成、傳統CRT電視、手工電子裝置、特斯拉電圈與噪音聲響,創造出一個抽象流動具生命感物象,讓表演的空間轉譯成有機的生命體。
Its name reflects a state of mind and a desire to propose new sound and visual experience. Sondes is consistently making merged analog and digital audio reactive glitch visuals, using software, video synth and an old CRT TV, home-made electronic sound, electromagnetic tesla coil and noise. Sondes wants to create a living visual abstract sound experience with both input and output, absorbing live stimulus and transforming the space into a living organism.

FB

Sondes A/V Duo:https://www.facebook.com/XSONDES/?fref=ts

Sébastien Labrunie:https://www.facebook.com/iBilAb-Design-Graphique-226432564070247/?pnref=about.overview

Youtube

https://ppt.cc/fOmsnx

Behance

https://reurl.cc/rr8m4